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How Blockbuster Was Made | Jurassic World: Fallen Kingdom by Image Engine

[ #Houdini ] See how the team at Image Engine working with VFX Supervisor: Dave Morley to bring realistic CGI Creatures and lot of Visual Ef...

[ #Houdini ]
See how the team at Image Engine working with VFX Supervisor: Dave Morley to bring realistic CGI Creatures and lot of Visual Effects in to Jurassic World: Fallen Kingdom movie


Like the franchise’s brilliant geneticists, 2015’s Jurassic World revived a behemoth of the past then mutated the concept to deliver on even greater spectacle. It was a VFX-driven thrill ride that captured all the iconic magic of Steven Spielberg’s landmark 1995 film, while also seeking new ways to shock and surprise its audience within that template.

What makes Jurassic World: Fallen Kingdom so spectacular is that it pulls this trick off a second time.

Image Engine stepped beyond the park gates once again, acting as VFX velociraptor-wrangler for Blue, building out key establishing shots, and delivering on a high-octane action sequence sure to keep audiences on their edge of their seats.

Read on to learn how the studio approached this even larger and more ambitious take on Jurassic World’s perennially doomed theme park.

Reunited with Blue
Image Engine’s crowning achievement in 2015’s Jurassic World was bringing life to the film’s pack of four ferocious velociraptors. Blue – the favourite of trainer Owen Grady (Chris Pratt) – is back in Fallen Kingdom and as fierce as ever, but this time also driven by a more emotive performance.
The studio’s artists and animators needed to create a creature capable of savage violence, but also capable of expressing an emotional bond with Grady – and all within a short six-week timeframe.

One sequence sees an injured Blue reunited with Grady, who carefully approaches the anxious dinosaur in an attempt to regain her trust. Grady carefully caresses his companion – an action necessitating complex interaction between CG asset and plate photography.

“We were excited to return to Blue and to further define her character,” begins Dave Morley, VFX supervisor on the project. “It felt like returning to an old friend!

“On set, the moment was filmed using a practical stand-in velociraptor head, which Pratt could physically touch,” he continues. “The physical maquette defined exactly where Chris’s hand would go, which gave us great lighting reference and provided a starting point to build out the CG head replacement and physically entrench it into the scene.

“From there, we used a mix of blend shapes and hand animation to make the ailing raptor feel like it was a biological creature of flesh and blood. We added guttural throat movements and twitches around Blue’s eye, along with a multitude of other subtle motions that imparted her feelings throughout the reunion.”

The surrounding environment also played its part in emphasising the bond between trainer and animal, with fog, mists and subtle lighting flares establishing a pensive tone.

“We performed a great deal of invisible environmental work in this area,” says CG supervisor Yuta Shimizu. “This included atmospheric FX mists, dinosaur breath, and casted shadows in the trees, achieved via a mix of volumetrics and compositing. We also added a patch of CG grass, enabling us to take greater control over the lighting around the full-CG version of Blue.”

The result is a tender, moving moment that reaffirms the duo’s connection, while also communicating expectations around Blue in the events to come. “Both the animation and the surrounding FX speak to the fact that this isn’t the feisty teenager Blue of Jurassic World, but a more mature, capable creature.”

Bringing a tear to your eye
Image Engine’s work on Blue continued into a scene where the injured velociraptor is strapped to a medical table inside a moving vehicle.

Again, CG replacements were necessary. On set, an animatronic dinosaur helped the actors lock into their performance. In post, the filmmakers wanted to bring more life and detail to Blue as she struggles and writhes on the table – details that were lacking from the on-set prosthetic.

“We handled digital replacements of the Blue animatronic in many of these shots, from full body replacement to a full CG head, all with the aim of making the practical model feel more alive,” says Morley. “In most shots, the only practical elements we were working with were the muzzle and the strap holding the raptor down.

“The matchmovers did an excellent job considering the constant movement of the truck, and our compositors did fantastic work in reconstructing shots to get everything to sit exactly where it needed to be. As with their reunion scene, we performed a lot of work to make Grady’s hand interactions with Blue feel like they had a real, physical connection.”

Image Engine worked to imbue the creature with a vitality lacking from the on-set animatronic, again adding guttural movements to the neck and reactive motions around the mouth. The main challenge lay in imbuing Blue’s eyes with a raw animality – but the team’s work needed to go beyond even that…

“With an animatronic it’s always going to be difficult to make eyes, with all their complexity and intricacy, look 100% real. We had to consider things like the nictitating membrane and how that works,” explains Morley.
“There was an added challenge here, however, as it’s in this sequence thar Blue cries a single tear – a very human action. We had to work to make that feel realistic, not just in the emotion of it but also in the physicality. The tear line had to feel wet and alive and the membrane needed to feel meaty as it interacted with the torchlight. It’s super-subtle work, but it makes the difference.”

Isla Nublar emerges
Image Engine didn’t just establish a new personality for Blue, but also set the stage for Fallen Kingdom’s events on a broader scale. For one sequence, the team created footage for a BBC World News report, detailing the catastrophic volcanic eruption taking place on Isla Nublar; home to the abandoned park.

The studio created a number of shots for the report, from adding flying pteranodon dinosaurs to plate footage of an earlier Jurassic World attack to handling sign replacements in clips of a pro-dino protest occurring in Washington D.C. The core task, however, required a full recreation of Isla Nublar itself: a panning aerial shot from above the clouds, taking in the green island, blue waters, and pillar of ash pluming from the active volcano.
“The island creation comprised a mix of full CG and procedural-based textures,” says Morley. “We completed a pass of CG trees and a digital matte painting projection pass, which was then combined with CG volumetric clouds created in Side FX Houdini.”

Houdini was also used to create the dense column of smoke rising from the island’s centre. A dozen different simulations were created and combined, resulting in the grey mass of billowing smog. “That made for a lot of data – around 10 terabytes just for the volcano!” says lead effects technical director Heribert Raab.

Nevertheless, the flexibility it afforded was vital. “Using those varied simulations we could add softer, fluffier variants of ash alongside the much heavier pyroclastic smoke,” says Raab. “It gave the plume a much more natural look than we could have achieved with a single simulation.”

Erupting into action

Next, Image Engine needed to swoop down into the island itself to conjure the on-the-ground consequences of this eruption. The team was responsible for half of Fallen Kingdom’s most dynamic set-piece: Grady and Claire Dearing’s (Bryce Dallas Howard) waterfront escape; one aggressively punctuated by plummeting meteorites of molten rock.

Image Engine worked closely alongside Industrial Light & Magic throughout the scene: while the latter handled any shots looking back towards the volcano, Image Engine handled all shots facing out to the sea.

The flaming lava bombs comprised a large bulk of Image Engine’s work, which rain down on Grady and crew as they sprint down the dock to catch a departing boat. “They were certainly fun shots to work on,” says Jan Dubberke, compositing supervisor. “Every single impact was a separate render that consisted of a huge amount of work, from the large asphalt craters that are formed to the big ash blast, the rock debris, the dust plumes, the trails from the lava bombs, and the big molten rock itself.

“Beyond that we needed to create reflections of these streaking comets in the sheets of water across the dock,” he continues. “We occluded the existing reflections and added the new reflections on top. We also embellished shots where the water on set had dried up on set over the course of the shoot, adding that back in where necessary for continuity.”

Debris, mud, and smoke were added to amp up the atmosphere. “We had to think about things like water splashes, with lava bombs slamming into the water, while also considering the continuity of the smoke and other FX between shots,” says Morley. “It was intricate work.”

Don’t miss the boat
Also included in Image Engine’s shots was the Arcadia – the huge battleship tasked with transporting endangered dinos off the island. The CG ship asset, which was provided by ILM, was given extra detail by Image Engine, who built out a CG interior for shots that saw trucks and other vehicles entering the loading bay.

“The production also wanted the Arcadia to feel weathered and old, whereas the asset was clean when it came to us,” explains Morley. “We added procedural dirt, weathering, and a lot of water smears, rust and other damage to give a sense of age.”

When the truck containing Grady and Dearing only just makes the leap for the departing Arcadia, audiences see one shot of the wheels spinning hopefully through churning water on the outer extremity of the loading ramp. “When we received the plates for this shot, the water – which was shot against a greenscreen – was far too clean and placid,” remembers Raab. “We added simulated digital water FX to create the sensation of rushing, heaving water.
“The amount of detail we had to complete across this entire sequence was challenging, but we were extremely pleased with the results,” continues Raab. “It definitely stands out as one of Fallen Kingdom’s highlights.”

The visual effects industry’s DNA
Image Engine was thrilled to return to Isla Nublar and its inhabitants, relishing in the opportunity to further explore the wild-yet-restrained nature of dino-hero Blue, while also lending FX to the film’s natural, less-tamed environments.

“Image Engine came onto this project at the tail end, but given our work on the original Jurassic World we were fully confident that we could deliver great effects, even when working with the complexity of creature animation,” says Shawn Walsh, visual effects executive producer and general manager at Image Engine. “Thanks to our previous work on the series and our robust feature-film pipeline, we could drive right into Blue and deliver not just a creature, but a character with whom the audience could truly connect.”

Fallen Kingdom also presented a second opportunity to achieve on a childhood dream. “It was amazing enough to work on Jurassic World. To be invited back to deliver high-quality visual effects for the sequel is something else,” says Morley. “The Jurassic Park franchise is part of the visual effects industry’s DNA. It’s an honour to be asked to work on a project with such pedigree.”

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13,9,Houdini 14,4,Houdini 15,3,Houdini 16,4,Houdini 17,3,Houdini Digital Assets,1,Houdini Engine Indie,1,Houdini Indie,1,How Blockbuster Was Made,1,How to find your path in CG Industry,1,Howler,2,HP,16,HP Z34c,1,HTC,1,HTC Vive,8,human chain,1,Humster 3D,1,Humster3d,1,Hyena Studio,1,Hyperfocal Design,1,Hyperion Renderer,2,Ian Spriggs,9,IBC 2012,2,IBC 2013,1,IBC 2014,2,IBC 2015,2,ic,1,ICB,1,ICE,1,iClone,1,Icube,7,Ida,1,IDraw,1,Igor Zanic,1,iGroom,1,illusion,1,illustration,10,Illustrator,7,ILM,59,Iloura,1,Image Engine,11,Imagineer Systems,19,imago media,1,imperialism,1,Important Looking Pirates,2,Incredible 2,1,Independence Day Resurgence,1,InDesign,2,indie,1,Indigo,4,Industrial design,26,Injustice,1,inka,1,InnoBright,1,inspiration,5,intel,17,interactive,1,Internet TV,1,interview,157,Intuos5,2,Inventor Fusion,1,inversion,1,iOS,2,IOTW,33,iPad,27,iPad Air,1,iphone,32,iPhone 7,1,iPhone 7 Plus,1,iPhone Air,1,IphoneX,1,iraq,1,Iray,39,Iray 2015,1,Iray for Cinema 4D,2,iray Manager,1,Iray VR,1,iRay+,1,Iron Claw,1,ironman,3,ISART DIGITAL,1,Isotropix,9,istanbul,1,IT'S ART,1,Itoo Software,11,Ixor,1,james cameron,4,Jeff Patton,15,Jeff Simpson,1,Jen-Hsun Huang,1,Jeremy Clapin,1,Jesus2000,1,Job,1,Jocelyn Strob Simard,1,Johan Rimer,1,John Martini,1,John Walker,1,johnnt depp,1,jon klassen,1,Jonas Ekman,1,jordan,1,Jorge Baldeon,1,Joseph Drust,2,Joseph Harford,1,Josh Clos,1,Josh Herman,1,Josh Nizzi,1,Jot Touch,1,Juan Garcia,1,Juan Salazar,1,Julien Vanhoenacker,1,Jung-Won Park,1,Jungle Book,2,Jupiter Ascending,1,Jurassic World,3,Jurassic World: Fallen Kingdom,1,Justin Fields,1,Justin Holt,1,JVC,1,kadokawa,1,Kandor,1,kara,1,karate,1,KATANA,10,Kev Jenkins,1,Keying,1,KeyMission,1,KeyShot,35,KeyShot 5,2,KeyShot 5.1,1,KeyShot 6,4,KeyShot Viewer,1,kickstarter,2,Kiel Figgins,1,Kindle Fire HD,1,kinect,3,Kingsglaive,1,Kitbash,1,Klaus Skovbo,1,Knald,1,Konami,2,KORB,2,krakatoa,49,Krakatoa SR,2,Kray,1,Kris 'Antropus' Costa,1,Kris Costa,1,Kris Kelly,1,Kuler,1,Kuler Islands,1,Kung Fu Panda 3,1,kungfu,1,kungfu star,1,Kynapse,2,Lagoa,7,LAIKA,1,Lamborghini Burlero,1,LandSIM3D,1,Laptop,9,lara croft,1,last of us,1,Laubwerk,3,launch trailer,3,Le Truc studio,1,league of Legend,1,Leap Motion,3,LeapCon,1,Learn Squared,3,Learning,1,LED,2,Lee Souder,1,Lee Stranahan,1,Legacy Effects,1,legend,2,Legend of Fuyao,1,Lenovo,1,lens flares,2,Léo Ribeyrolles,1,letter,1,Leviathan,1,LG,12,LG Film Fest,1,LIGA 01,2,LIGA_01,1,Lighting,7,Lightmap,4,Lightroom,16,Lightstorm Entertainment,2,LightWave 2015,2,LightWave 2016,1,LightWave3D,29,line,1,liquid,3,Liquid Simulation,2,live action,2,Livestream,2,Ljósið,1,logan,1,lollipop,1,lollipop chainsaw,1,london,1,London Sci-Fi Film Festival,1,Look Effects,1,Lord of the rings,1,lords,1,Lostboys Studio,1,LOTR,1,Luan Nguyen,1,Lucasfilm,5,lucky,1,LUCY,1,Łukasz Sztukowski,1,Luke Millar,1,Luma Pictures,7,Lumberyard,5,LumenRT,7,Lumion,9,Lumion 5.7,1,Luxigon,2,Luxion,13,Luxology,23,LuxRender,1,LuxRender; Download,2,Mac,10,Mac Pro,3,MacBook Pro,1,Maciej Kuciara,3,Mackevision,2,Mad Max Fury Road,2,MadCar,1,Madder Mortem,1,Magazine,4,Magic Bullet Looks,1,Magic Leap,1,Magic Leap One,2,Mahmoud Salah,1,Mai Nguyen,1,Main Title Sequence,3,MakeHuman,2,Making of,305,Management,4,manhattan,1,Mantra,5,ManvsMachine,2,marc craste,1,Marcello Pattarin,1,Marcos Sampaio,1,Marek Denko,3,Mari,77,MARI indie,1,mario ucci,1,market farmhouse,1,Marmoset,3,Marmoset toolbag,12,Marvel,23,Marvel Studios,5,Marvelous Designer,44,Marvelous Machines,1,Maryam Nademi,1,Mass Effect 3,2,Mass Market,1,MassFX,2,massive attack,2,Massive Black,1,Massive Prime,1,Master Zap,2,Mastering CGI,1,MatchMove,3,MatchMover,1,Material,43,Material-Z,1,Mathieu Aerni,1,Mathieu Auvray,1,Matt Frodsham,1,matte painting,27,Matthew Bannister,1,MAX,2,MAX 2014,3,Max Payne,2,Max Underground,2,Maxim Zhestkov,1,maxon,80,Maxpayne3,1,MaxScript,3,Maxtree,2,Maxwell,32,Maxwell Render,4,Maya,19,Maya 2016,3,Maya LT,9,Maya LT 2016,1,Maya LT 2017,1,Maya Tutorial,12,mayan,1,mbFeatherTools,1,MCG,1,Mech,1,medal of honor,1,media,1,Media Design School,1,Media Encoder,1,Medusateam,1,Megascans,6,Megascans Bridge,2,Megascans Studio,1,Mental Ray,77,Mercedes,4,MeshFusion,3,Meshmixer,3,messiah:studio,1,Metal gear,1,Metal mill,5,Method Design,1,Method Studios,5,MGODI,1,Miarmy,2,Michael Bay,4,Michal Kriukow,1,michelin,1,Micro Cinema Cameras,1,Microsoft,28,Microsoft HoloLens,3,Microsoft Studios,1,Microsoft Windows,4,middle earth,1,Mighty Pen,1,mihai wilson,1,Mike Winkelmann,1,mikros image,1,Milan Nikolic,1,MindOverEye,1,Minions,1,MIR,1,Mischief,3,Mixamo,7,Mixer,1,MMO,6,MOANA,2,Mobile Workstation,3,Mobile World Congress 2016,1,Mocap,5,mocha,29,mocha Plus,1,Mocha Pro,2,Mocha Pro 4,2,Model Free,2,Modeling,135,modo,72,MODO 801,1,MODO 901,2,MODO indie,1,MOH,1,Mohamed Alaa,1,Mokacam,1,Monitor,23,monkey island,1,Monsters Dark Continent,1,Montreal Canada,1,moon,1,moon raker,1,Mortal Kombat,2,Mortal Kombat X,3,Mortal Kombat XL,1,MoSketch,1,most anticipated,1,most wanted,1,Motion 5,2,motion capture,14,Motion Design,5,Motion Graphics,178,motion504,1,MotionBuilder,8,MotionBuilder 2014,1,mouse,1,Movie,1,MPC,71,Mr. X Inc,2,MSI,3,MTV,2,Mudbox,80,Mudbox 2014,3,Mudbox 2015,3,Multiphysics,1,multiplayer,1,Multiscatters,1,Murat Kılıç,1,music,3,music video,21,musuta,1,MVN Animate,1,N3 Design,1,NAB 2009,9,NAB 2010,3,NAB 2012,11,NAB 2013,6,NAB 2014,5,NAB 2015,3,NAB 2016,1,NAB 2018,1,NAB2011,2,NAIAD,19,Namco Bandai Games,3,Napalm,1,Napoleon ruler,1,Naren Naidoo,1,nasa,3,Natron,1,NaturalPoint,1,Naughty Dog,8,nauhgty dog,2,Nazar Noschenko,1,nDo,3,NDS,1,Need for Speed,8,Need for Speed Rivals,1,Neil Armstrong,1,Neill Blomkamp,1,neoscape,22,netfabb,1,Netflix,1,NetherRealm Studios,2,Networks,1,new york times,2,new units,1,news,168,NewTek,11,Next Limit,38,nextgen,1,NFS,1,nhb,6,NHL,1,Nice Shoes,1,NIck Cross,1,Nicolas Anthanè,1,Nicolas Delille,1,nightmare,1,Nike,5,Nimble Collective,1,Nintendo,1,Nintendo Switch,1,Nintendo Wii,1,Noah,2,NoEmotion,3,noise,1,Not To Scale,1,Notebook,1,NOX,2,Npower,4,Nuit Blanche,1,Nuke,126,NUKE 9,5,Nuke Studio,7,NUKEX,1,Nvidia,202,Nvidia Faceworks,1,NVIDIA GRID vGPU,1,NVIDIA GRID Virtual GPU,1,Nvidia HairWorks,1,NVIDIA Kepler,4,NVIDIA Maximus,5,NVIDIA RTX,2,Nvidia SHIELD,3,NVIDIA Tegra,2,NVIDIA Tesla,4,NYC 3ds Max User Group,1,NYC ACM SIGGRAPH,1,O'Neill,1,OatsStudio,3,Obey,1,OC3 Entertainment,1,Octane for 3ds Max,2,Octane for Houdini,1,Octane Render,42,ocula,3,Oculus,8,Oculus Connec,2,Oculus Rift,5,official trailer,4,ogily,1,Ólafur Arnalds,1,olympics,1,Omar Meradi,1,open Source,7,OpenEXR,1,OpenGL,1,OpenSubdiv,2,OpenVR Recorder,1,Optical flares,3,OptiTrack,12,Orijin,1,Ornatrix,7,Oscar,19,oscars,16,OTOY,2,OverWatch,1,paint chips,1,Painter,8,Painting,23,PaintShop Pro,1,Panasonic,2,Panoply,1,Panorama Extractor,1,parable,1,Paragon,2,Paramount,1,paris,1,Particle Skull,3,particles,60,particleskull,1,particular,3,Pascal architecture,1,Passion Pictures,2,pastel,1,Paul H. Paulino,1,Paul Hellard,1,PBR materials,1,pc,19,Pdplayer,6,Penguins of Madagascar,1,Per Haagensen,1,PES,7,PES 2013,6,PES 2014,2,PES 2015,2,Peter Berg,1,Peter Guthrie,1,Peugeot,1,Pflow,1,PFlow Toolbox,2,Phil Moreton,1,Philip Harris-Genois,1,Phoenix FD,23,Photo Editing,7,Photography,23,Photoshop,218,Photoshop CC,6,Photoshop CS6,3,Photoshop CS6S,1,Photoshop Elements,2,Photoshop Elements 14,1,PhysX,1,piano,1,Picture Front,2,Piotr Adamczyk,1,pipeline,1,PipelineFX,3,Pixar,42,Pixar Animation Studios,5,Pixar Tractor,1,Pixelhunters,1,PIXOLOGIC,61,Pixomondo,9,Planar Systems,1,Planetside,7,Plant Factory,3,Platige Image,5,PlayStation,14,PlayStation 3,1,PlayStation 4,10,PlayStation Now,1,Plugin,569,POILUS,1,Point cloud data,1,Polska,1,Polybrush,6,Polynoid,2,Porsche,1,Poser,3,post production,10,PostPanic,1,PostPro18,1,Premiere Elements,1,Premiere Pro,5,Premium3Dmodels,1,Presets,1,preview,33,Prime Focus,3,Printer,2,Product,306,Product Design,4,Product Focus,2,Project Felix,1,Project Geppetto,3,Project Manager,1,Project Primetime,1,Project Sci-Viz,1,projection mapping,1,Projector,1,promo,1,PROVIZ,1,PS3,25,PS4,9,PSD-manager,4,psyop,3,Pulldownit,2,Punchcard,1,Python,5,Qolop TG,1,Quadro,2,Quadro P5000,1,Quadro P6000,1,quantic dream,1,quba michalski,1,Qube!,3,Quentin Medda,1,Quicktime,1,Quidam,3,Quixel,14,racing,1,Rafael Reis,1,RailClone,3,Rainer Duda,1,RandomControl,1,Rango,1,Rayfire,30,RDT,1,Real Displacement Textures,7,Realflow,54,RealFlow 2013,1,RealFlow 2014,6,RealFlow 2015,3,Realistic Render,16,realtime,167,RealtimeUK,11,Rebus Farm,2,Red Engine,1,Red Giant,24,Redshift,11,reel,170,Reel of the Month,10,reinterpretations,1,Reliance MediaWorks,1,Relic Entertainment,1,Relicts,1,Render,253,Render engine,2,render farm,10,Render Legion,1,Render Rocket,1,Rendering,87,Rendering Management,13,RenderMan,22,RenderPal,1,Resident Evil: Revelations 2,1,retopology,3,Retouching,1,review,22,Revit,4,RevUp Render,1,RFX,1,Rhett Dashwood,1,Rhino 3d,9,Richard Rosenman,1,Richard Spriggs,1,rick thiele,1,rigging,39,Rise of the Tomb Raider,1,Rising,1,Rising Sun Pictures,5,RizomUV,1,RnD,3,Robert Stromberg,2,Robocop,1,Robot,8,Rocketbox,1,Rockstar Game,7,Rockstar Games,5,Rocksteady Studios,1,Rocky Meng,1,Rodeo FX,5,Romell Chopraa,1,ron Gilbert,1,Ronan Mahon,1,Ronen Bekerman,3,Rory Björkman,1,Roto,1,RPC,1,RPG,1,RTX,1,Ruairi Robinson,1,Ruben Morales,1,Ruff Mercy,1,Rumblebox Studios,1,russ murphy,1,Ryan Kingslien,1,Ryan Lim,1,Ryan Trowbridge,1,sabber interactive,1,saints,1,sam fisher,1,Samsung,10,Samsung Galaxy S7,1,San Andreas,1,San Francisco,1,Sarofsky Corp.,3,Sava Zivkovic,1,Scaleform,3,Scan Engine,1,Scan Model,3,Scanline VFX,10,Sci-Fi,11,sci-fi thriller,2,Scott Sewel,1,scottish flu,1,Screen,1,script,90,sculpt,45,Seagate,2,Sebastian Schäfer,1,Security,2,Sedat Açıklar,1,SeeControl,1,SEGA,3,Sehsucht,18,Sequoia,2,Sergey Nazarov,1,Sergey Pereskokov,1,Seungmin Kim,2,shader,24,Shaderlight,5,shadow 2,1,Shadow Theatre,1,Shave and a Haircut,1,Shawn Wang,1,Shepherd Mocap Sync,1,shilo,7,Shōgun,2,short film,69,Shotgun,4,Shotgun Software,4,show reel,68,showreel,44,sidefx,59,Siger Studio,1,siggraph,7,SIGGRAPH 2009,24,SIGGRAPH 2010,39,SIGGRAPH 2011,27,SIGGRAPH 2012,21,SIGGRAPH 2013,18,SIGGRAPH 2014,8,SIGGRAPH 2015,12,SIGGRAPH 2016,3,SIGGRAPH 2017,7,SIGGRAPH 2018,8,SIGGRAPH Asia,2,SIGGRAPH Asia 2009,12,SIGGRAPH Asia 2010,1,SIGGRAPH Asia 2011,2,SIGGRAPH Asia 2012,3,SIGGRAPH Asia 2013,1,SIGGRAPH Asia 2015,1,Silvio Valinhos,1,Simon Gomez,1,Simow Labrim,1,Simulation,51,skater,1,Sketch,6,SketchBook Pro,3,SketchiMo,1,Sketchup,32,SketchUp 2015,1,Skhizein,1,skyrim,1,sleepingdogs,1,Slow Poison,1,Smart phone,4,Smartphone,8,Smarty Ring,1,Snappers,1,Snoop Dogg,1,Snow,1,Snowboarding,1,SOA Academy,4,soccer,1,Socialcam,2,Softbank,1,Softimage,108,Softimage 2013,2,Softimage 2014,3,SoftKinetic,1,Software,1194,solid,1,Solid Angle,2,Sony,35,sony online,1,Sony Pictures Entertainment,1,Sony Pictures Imageworks,11,Sony Pictures Studios,1,Sony Santa Monica,1,Sony Vegas Pro,1,SonyPictures,1,Sound,11,Soundbooth,1,Soyoung Kim,1,SpaceMouse,1,spaceships,2,Spacious Thoughts,1,Spain,1,special effects,2,spectrum,1,SpeedTree,11,spiderman,5,splinter cell,1,sports,2,Spotlight,1297,SprayTrace,1,sprite,1,Spumco,1,square enix,6,Squint Opera,1,SSD,2,star,1,star wars,3,Star Wars: The Force Awakens,1,starcraft 2,2,StarCraft II,1,stargate,1,START Singapore,1,starwars,2,State of Art Academy,3,Steam,3,steel battalion,1,Stereoscopic,21,Stereoscopy,5,Steven Knipping,1,Stimuli,1,Stock,1,Stock Footages,1,Stoke MX,3,Storage,1,Stories AG,1,Storm,2,storyboard,1,Storyboard Pro 5,1,Storz & Escherich,1,stream,2,Strike Vector EX,1,Stu Bayley,1,student,4,Student Gallery,1,student project,1,studio,380,Studio Aiko,1,studio aka,1,Studio Profile,6,Studio Spotlight,1,Studio Tools Pro,1,Stylized,1,Submit,4,Substance Designer,32,Substance Painter,47,Super Bowl,2,Süperfad,2,Supinfocom Arles,1,Surface Book,1,Surface Pro 3,1,Surface Studio,1,survey,6,Sweetworld,1,swine flu,1,SXSW Film Festival,1,Syd Mead,1,SynthEyes,3,Tablet,19,Takafumi Tsuhiya,1,takcom,1,Tamas Medve,2,Taylor Kitsch,1,Tearte,1,teaser,2,Tech,18,Tech news,93,Technical,18,Technicolor,1,Tekken 7,1,Ten24,1,tera,1,Terminator Genisys,3,Terragen,13,Terrain,1,Territory,3,Terry White,1,Tetsuya Nomura,1,texture,108,texture painting,1,Textures,33,texturing,27,TexturingXYZ,4,The Aaron Sims Company,1,The Bravery,1,the cave,1,The Creative Assembly,1,The Crew,1,The Division,2,The Embassy,2,the expendables 2 video game,1,The Foundry's Board,1,The Good Dinosaur,1,The Jungle Book,3,The Leviathan,1,the lighthouse keeper,1,The Martian,3,the mill,36,The Mission Studio,1,the raven,1,The Rookies,2,the secret world,1,The Walking Dead,1,The Witcher 3 Wild Hunt,1,Thea Render,2,TheHouseFX,1,Thepixellab,1,Thinkbox Software,54,ThinkingParticles,38,Thornberg Forester,1,thriller,1,Thumb Labs,1,Thunder Cloud Studio,2,Thunderbolt 2,1,Tilt Brush,1,tim bollinger,1,tim burton,1,Tim Van Helsdingen,1,Time-Lapse HDRI,1,timelaps,1,Tippett Studio,1,Tips 'n tricks,4,Titan X,1,Title Sequence,2,tolkien,1,Tom Guest,1,tom waits,1,Tomáš Sciskala,1,tomb raider,1,Tomek Bagiński,1,Tomorrowland,1,Tony Andreas Rudolph,1,Tony Zagoraios,1,Toon Boom,4,top 10,1,Topogun,1,Toshiba,1,Touchscreen,2,Toughpad,1,Toxik,2,Toyota,2,Tracking,49,Tractor,1,tragedy,1,Trailer,275,Training,298,Transformers,5,Transformers 3,8,Transformers 4,4,Transparent House,1,trapcode,22,Trapcode Echospace,1,Trapcode MIR,1,Trapcode Particular,2,Triangleform,1,trine,1,Trixter,1,Troll VFX,2,TubeMogul,1,TurbulenceFD,3,turkish edition,1,Turn 10 Studios,1,Tutorial,826,TV,22,TV Show,2,TV Spot,2,tvc,7,Twenty120,1,Twinmotion,3,twisted metal,1,typo 3D,1,typographic,1,typography,3,Tyroe,1,ubik,1,ubisoft,18,UDK,1,UE4Arch,2,Ultimatte,1,Ultra HD,1,UltraWide,2,Un tour de Manège,1,Uncharted 3,1,Uncharted 4,4,Uncharted Territory,1,Uniform,4,UNIGINE,2,Unique Vision Studio,1,Unit Image,8,united snakes,1,United States,1,united visual artists,1,Unity,22,Universal Pictures,2,Universal Scene Description,1,Unreal,37,Unreal 4.6,1,Unreal Assets,5,Unreal Awards,1,Unreal Engine,77,unreal engine 4,17,Unreal for Archviz,2,Unreal Studio,3,unwrap,6,urban,1,URSA Mini 4.6K,1,Uvmap,8,V-Ray,3,V-Ray 3.0,2,V-ray AppSDK,1,V-Ray Cloud,1,V-Ray Days,2,V-Ray for Creative Cloud,1,V-Ray for Unreal Engine,1,V-Ray Material Presets Pro,1,Valve,2,vanquish,1,VCA,1,VEA Games,1,Vegas Pro,2,Vehicle Render,1,VES,17,vf,1,VFS,7,vfx,1071,VFX Artist,2,VFX Breakdown,140,VGA,1,VGX,1,via grafik,1,Vicon,6,video,20,Video Copilot,38,Video Editing,17,videogame,4,VIEW Conference,12,Viki Yeo,1,Virtual Designer RE,1,Virtual Reality,16,Virtual Reality Game,2,Virtual Workstation,1,VIShopper,2,visual effects,19,visual exploration,2,visualhouse,1,visualization,18,Vitaly Bulgarov,10,Vixen studios,1,Viz Artist,1,Viz-People,1,Vizrt,1,Vladimir Koylazov,1,Vladislav Solovjov,1,Vlado,1,Volkan Kaçar,1,Volume Breaker,1,VR,56,VR camera,2,VR headset,4,VR rendering,3,Vray,469,Vray 3.0,4,Vray for Rhino,3,vray sun sky,1,Vray Workshop Image of the Week,84,VRayPattern,1,VrayRT,17,VRgineers,1,VRscans,2,Vue,54,vyonyx,9,wacom,21,Wail To God,1,wall,1,Walt Disney,3,Walt Disney Animation Studios,4,Walt Disney Co,1,war,1,War for the Planet of the Apes,1,war machine,1,Warcraft Movie,1,warfighter,1,wargaming.net,1,Warner Bros,3,warner brothers,1,WarnerBros,1,Warners Bros,1,Warren Trezevant,1,Watch,2,watch dog,1,Watch Dogs 2,1,water,1,Wayne Hollingsworth,1,weapons,1,Weather,1,Web,4,webinar,12,Welovepost,1,Weta Digital,10,weweremonkeys,1,Whiskytree,2,wiesbaden,1,wii,4,wii U,3,Will MacNeil,1,Will Murai,1,Will Wallace,1,windows 10,1,windows 7,2,windows 8,6,Winner,1,Winter Olympics,1,WIP,2,Wired,2,WITCH CHAPTER 0 [cry],1,Wizz Design,1,Woodblock,1,Workstation,16,Workstations for Virtual Reality,1,World Creator 2,1,World Machine,2,world of tanks,1,world of warplanes,1,WOT,1,WWF,2,X-Particles,3,XboX,8,Xbox 360,35,Xbox One,19,Xfrog,5,xGen,3,XMesh MX,4,xNormal,1,Xoio,6,Xsens,1,XYZTexturing,3,Yellow Cake,1,Yeti,2,Yibing Jiang,3,Yonder,1,Youtube,1,Yuneec,1,Yuuki Morita,1,Zap Andersson,1,ZBook,1,ZBrsuh,6,zbrush,287,ZBrush 4R7,7,ZBrush 4R8,2,ZBrush Core,1,ZBrush Summit,2,Zoic Studios,3,zombi U,2,zombie,2,Zombie Studio,1,Zootopia,2,Zuliban,3,Zync,1,
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CG Daily News: How Blockbuster Was Made | Jurassic World: Fallen Kingdom by Image Engine
How Blockbuster Was Made | Jurassic World: Fallen Kingdom by Image Engine
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