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PhoenixFD 3.0 for 3dsMax Review

PhoenixFD 3.0 for 3dsMax Review by Hammer Chen



by Hammer Chen


Pros
  • New Quick Presets provide several quick settings as good starting point
  • Scene scale gives you global control, to ensure a proper simulation
  • The new FLIP Solver can easily simulate a large scale of water
  • Smoothness removes the grid artifacts
  • PCG conservation and massive vorticity can produce more realistic, detailed smoke and explosions
  • Fire has a separate opacity control, create more realistic fire
  • Able to simulate splash, foam, and mist particles take realism to a higher level
  • Slow down fluid simply by lower the value of time scale
  • Industry-leading, intuitive retiming workflow
  • New force types: Follow Path force, Body Attraction, Morphing forces and Wave Force allow for a variety of effects
  • Support for 3ds max's built-in Alembic export
Cons
  • Lack of dedicated render elements
  • Unable to simulate rigid body dynamics
  • Lack of state control, it is hard to swap fluid from one state to another 
It's been more than six months since my PhoenixFD 2.2 review was published. This time, because I am the PhoenixFD nightly tester. I can share with readers my experience in a shorter time. A plug-in that can simulate water, fire, smoke, and render particles, is really an ambitious goal, you can imagine how difficult programming, and design it's UI. Let’s start with the improvement of the user interface.


Quick Setup presets
The slogan for PhoenixFD 3 is "Fluid Dynamics for Artists." Few clicks and you get desired effects, without knowing so many parameters, is the dream comes true for artists. Although it sounds too good to be true, I actually tested it out once I got the official release. The new PhoenixFD Toolbar give you a total of 14 quick settings: Fire, Explosion, Large-scale Smoke, Cigarette Smoke, Candle, Cloud, Tap water, Beer, Honey, Blood Splatter, Paints, Ink in water, Waterfall, and Ocean. I don't have time to test them all; you may check each example on official help site.

So I placed a teapot in the scene casually, with teapot selected then hit the explosion icon, PhoenixFD generates all necessary helpers for me. Then I press the simulation button, in few seconds, I got results that already good. The new GPU Preview displays directly in the viewport. PhoenixFD automatically adjusts the value of the scene scale to ensure a proper simulation.
The Quick Presets adjust scene scale automatically to ensure beautiful results

I even use quick presets for my current projects. The following example uses "Large-scale Smoke" presets, and the new Massive Vorticity fixing a boiling effect that is present in the classic vorticity algorithm.
The new Massive Vorticity eliminate a boiling effect

User-friendly interface 
PhoenixFD simplified it's simulator user interface by separating liquid and fire/smoke into two simulators - FireSmokeSim and LiquidSim. Since volume conservation is crucial for liquid, therefore removing other conservative methods that making the liquid lose its volume during each iteration, this avoid user's confusion. For FireSmokeSim, besides three types of conservation methods, added PCG Symmetric.

UI for Liquid (left) and FireSmoke (right)

New FLIP Solver 
There are two primary methods for fluid simulation. One is to treat fluid as a bunch of particles.This particle-based method is suitable for close-up shots, but it is not very efficient and sometimes unstable. Another is to divide the space into cells, calculate the cell energy transfer between each other, known as the grid-based, one famous example is FumeFX. FLIP is a mixture of these two methods; the new FLIP Solver is stable, predictable, can quickly calculate large scale liquid. With the smoothness, a feature can be used to remove grid artifacts.

I am amazed by the performance of PhoenixFD 3 liquid simulator. Even when the grid is set very high resolution, it can simulate within a reasonable time; this detailed fluid mesh can be displayed on the 3dsMax viewport directly. No need for the specialized daemon (i.e., sheeter), you can achieve a natural looking liquid mesh with ease.

Grid-based fluids might produce grid artifacts, and the resulting mesh will have a banding look, especially in low-resolution grids. PhoenixFD 3 provides Smoothness control, can remove the banding artifact after simulation. 

Smoothness eliminates grid artifacts and makes the mesh smoother

Also, a common problem with liquid mesh is the excessive unwanted details. Too much detail means that when you increase the number of particles or the resolution of the grid, there are too many holes inside of the mesh, and the liquid looks unrealistic. I found with the appropriate time scale and scene scale; you don't need shetter daemon to make your liquid natural.
Increasing the SPF (Steps per frame) results in a Sheeter daemon-like effect

Most of the time you need to export liquid mesh for your colleagues. PhoenixFD 3 support 3ds max's built-in Alembic export. I have exported up to 7Gb fluid mesh in Alembic. The frame rate in Viewport is still fairly good.
 Output Alembic format

The new PhoenixFD provides a variety of specialized texture maps to help to produce a realistic ocean

Realistic ocean
Foam, Splash, and Fog 
If liquid represents in the form of a high-resolution 3D model, then the spray composed of lots of holes, which required a ultra-high-resolution 3D model; it is almost impossible to allow any computer to run in a limited time. So Besides liquid mesh, splash, foam and mist particles are added to proximate the phenomenon. The previous version of PhoenixFD only provides Foam and Splash.  However, the new version gives you one more - mist particles. Mist can split from splash during simulation and render out by point shader. 

Three type of particles: foam, splash, and mist combined take things to a whole new level of realism

The opacity of fire channel was shared with the smoke, when the need for both fire and smoke, sometimes the details of the fire is difficult to show. The new version of PhoenixFD provides a separate opacity for fire -  "Use Own Opacity." New Curve Editor is also easier to use than the previous version. Limited the volumetric render curves between 0 and 1, for example.

Realistic fire (with motion blur)

Blur or Shaper 
PhoenixFD 3 provides two ways for dealing with base simulation, one that blurs and has a Threshold that can be used to eliminate noise in low-resolution grids. 

The other is to resimulate the base simulation and give more details. There are three methods available: Interpolate, Wavelet Fast, Wavelet Nice. When Enable, it automatically switch to the Resimulation cache, unlike FumeFX you have to switch caches manually.

Wavelet can enhance simulation details

Most of the fluid effect required slow motion. Almost all commercial for juice, milk..., etc. have a least one shot in slow motion. For FumeFX, usually, I set my time = 0.7, and further slow down by FumeFX-Post Processing, making the "Time Scale Factor" around 0.25. This can't be too extreme, otherwise, might produce flickering problem. 

 intuitive retiming workflow (Cache Index)

For those who have experience using FumeFX retiming, might be confused at the beginning. First, PhoenixFD does not need to switch caches, when checked Resimulation, automatically change to resimulation caches. Second, with or without Resimulation, as long as one use of Time Blend function, can produce slow motion effect. The difference is that if you run calculate Resimulation, PhoenixFD will write out cache data. Otherwise, it will retime during render time.

I found that same as FumeFX; the speed can not slow down too much, otherwise, might introduce flickering issue. Interestingly, when I slow down the fluid by lower It's time scale, the effect is surprisingly good. This workflow may be very strange for most FX artists, but intuitive for everyone. Want to slow down the fluid? Just lower the value of Timescale, that's all!
The retiming feature in Realflow known as the Edit Time Function, once you press the retime button will run a calculation to produce a new sequence of cache files, similar to FumeFX Post-Processing. PhoenixFD 3 provides curve editor control, including Linear, cache index and loop, which is very intuitive. Resimulation can base on speed channel or interpolation.


Other Additions and Improvements 
  • Wave Force that transfers the effect of the PhoenixFDOceanTex onto the simulation
  • Follow Path force to move the fluid along the path
  • Body Attraction and Morphing forces
  • Allowed gradual transition between the default Black Body Fire model and an artistic model using the 'Physically Based' option

What's missing? 
  • Rigidbody Simulation - In many cases, we need a dynamic interaction between the rigid body and the liquid. Although PhoenixFD calculates the collision between the geometry and the fluid, it is an only one-way collision. The current fluid can not repel the rigid body, for example, the flood can not push the carton on the floor. The movement of the box must rely on other software. Autodesk 3dsMax had removed the Reactor since version 2012, and even with new Nvidia's massFX, it lacked Reactor's water simulation. If PhoenixFD supports rigid-body simulation, the function will be more complete
  • Currently can not directly separate the fire and smoke, there are no dedicated render elements (But there are indirect methods can be done)
  • The lack of Realflow filter daemon that converting state of the fluid, for example, I have an object fragmentation, I want to turn that rigid frag into liquid based on speed, PhoenixFD has no mechanism to do this kind of task

      Conclusion
      This new FLIP solver is very powerful, give you scalable liquid fluid simulation. I have more than five years experience using Realflow; the biggest drawback is the needed for exporting and importing objects between 3dsmax. And for rendering foam, spray and fog required a third party plugin (Krakatoa for example). When PhoenixFD introduced the new FLIP Solver, I wanted to migrate my Realflow scenes to 3dsmax - PhoenixFD. Surprisingly, I found that with new FLIP solver, liquid simulation with PhoenixFD is truly production-ready. I spent most of the time playing with this feature. I found even a million face counts per frame, and export a 7Gb of Alembic mesh, still very stable with reasonable playback rate. A small scale liquid scene like strawberry drop into a bowl of milk can be easily done. The actual test of PhoenixFD 3 also proved that in the large-scale liquid with highly detailed mesh or large scale explosion can have a stable performance. This plugin gives great results with fire, smoke, as well as water, all for a reasonable price. Overall, the degree of improvement of PhoenixFD 3 is not good news for FumeFX, Realflow, and Krakatoa. It is an FX-plugin that I would highly recommend.
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Pro,2,hitman,2,HMZ-T3W,1,Holographic,1,HoloLens,1,Honda,1,Honglong,1,horror,1,horse,1,Hotel Transylvania 2,1,Houdini,169,Houdini 13,9,Houdini 14,4,Houdini 15,3,Houdini 16,4,Houdini 17,3,Houdini 18,3,Houdini Digital Assets,1,Houdini Engine Indie,1,Houdini Indie,1,How Blockbuster Was Made,1,How to find your path in CG Industry,1,Howler,2,HP,16,HP Z34c,1,HTC,1,HTC Vive,8,human chain,1,Humster 3D,1,Humster3d,1,Hyena Studio,1,Hyperfocal Design,1,Hyperion Renderer,2,Ian Spriggs,9,IBC 2012,2,IBC 2013,1,IBC 2014,2,IBC 2015,2,ic,1,ICB,1,ICE,1,iClone,1,Icube,7,Ida,1,IDraw,1,IDV,1,Igor Zanic,2,iGroom,1,IKinema,1,illusion,1,illustration,10,Illustrator,7,ILM,62,Iloura,2,Image Engine,11,Imagineer Systems,19,imago media,1,imperialism,1,Important Looking Pirates,2,Incredible 2,1,Independence Day Resurgence,1,InDesign,2,indie,1,Indigo,4,Industrial design,26,Injustice,1,inka,1,InnoBright,1,inspiration,5,intel,18,interactive,1,Internet TV,1,interview,158,Into the Spider-Verse,1,Intuos5,2,Inventor 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Park,1,John Martini,1,John Walker,1,johnnt depp,1,jon klassen,1,Jonas Ekman,1,jordan,1,Jorge Baldeon,1,Joseph Drust,2,Joseph Harford,1,Josh Clos,1,Josh Herman,1,Josh Nizzi,1,Jot Touch,1,Juan Garcia,1,Juan Salazar,1,Julien Vanhoenacker,1,Jung-Won Park,1,Jungle Book,2,Jupiter Ascending,1,Jurassic World,3,Jurassic World: Fallen Kingdom,1,Justin Fields,1,Justin Holt,1,JVC,1,kadokawa,1,Kandor,1,kara,1,karate,1,KATANA,14,Ken Barthelmey,1,Kev Jenkins,1,Kevin Feige,1,Keying,1,KeyMission,1,KeyShot,39,KeyShot 5,2,KeyShot 5.1,1,KeyShot 6,4,KeyShot Viewer,1,KeyVR,1,kickstarter,2,Kiel Figgins,1,Kindle Fire HD,1,kinect,3,Kingsglaive,1,Kitbash,1,Klaus Skovbo,1,Knald,1,Konami,2,KORB,2,krakatoa,49,Krakatoa SR,2,Kray,1,Kris 'Antropus' Costa,1,Kris Costa,1,Kris Kelly,1,Kuler,1,Kuler Islands,1,Kung Fu Panda 3,1,kungfu,1,kungfu star,1,Kynapse,2,Lagoa,7,LAIKA,1,Lamborghini Burlero,1,LandSIM3D,1,Laptop,9,lara croft,1,last of us,1,Laubwerk,3,launch trailer,3,Le Truc studio,1,league of Legend,1,Leap Motion,3,LeapCon,1,Learn Squared,3,Learning,1,LED,2,Lee Souder,1,Lee Stranahan,1,Legacy Effects,1,legend,2,Legend of Fuyao,1,Lenovo,1,lens flares,2,Léo Ribeyrolles,1,Leskea Team,1,letter,1,Leviathan,1,LG,12,LG Film Fest,1,LIGA 01,2,LIGA_01,1,LightBox Expo,1,Lighting,7,Lightmap,4,Lightroom,16,Lightstorm Entertainment,3,LightWave 2015,2,LightWave 2016,1,LightWave3D,29,line,1,liquid,3,Liquid Simulation,2,live action,2,Livestream,2,Ljósið,1,logan,1,lollipop,1,lollipop chainsaw,1,london,1,London Sci-Fi Film Festival,1,Long Nguyen,1,look dev,1,look development,1,Look Effects,1,Lookdev,1,Lord of the rings,1,lords,1,Lostboys Studio,1,LOTR,1,Love,1,Luan Nguyen,1,Lucasfilm,5,lucky,1,LUCY,1,Łukasz Sztukowski,1,Luke Millar,1,Luma Pictures,8,Lumberyard,6,LumenRT,7,Lumion,10,Lumion 5.7,1,Lux Machina,1,Luxigon,2,Luxion,14,Luxology,23,LuxRender,1,LuxRender; Download,2,Mac,10,Mac Pro,3,MacBook Pro,1,Maciej Kuciara,3,Mackevision,2,Mad Max Fury Road,2,MadCar,1,Madder Mortem,1,Magazine,4,Magic Bullet Looks,1,Magic Leap,1,Magic Leap One,2,Magnopus,1,Mahmoud Salah,1,Mai Nguyen,1,Main Title Sequence,3,MakeHuman,2,Making of,310,Management,4,manhattan,1,Mantra,5,Manuka renderer,1,ManvsMachine,2,marc craste,1,Marcello Pattarin,1,Marcelo M. Prado,1,Marco Di Lucca,1,Marcos Sampaio,1,Marek Denko,3,Mari,80,MARI indie,1,mario ucci,1,Market,1,market farmhouse,1,Marmoset,3,Marmoset toolbag,12,Marvel,23,Marvel Studios,6,Marvel’s Avengers: Infinity War,1,Marvelous Designer,45,Marvelous Machines,1,Maryam Nademi,1,Mass Effect 3,2,Mass Market,1,MassFX,2,massive attack,2,Massive Black,1,Massive Prime,1,Master Zap,2,Mastering CGI,1,MatchMove,3,MatchMover,1,Material,44,Material-Z,1,Mathieu Aerni,1,Mathieu Auvray,1,Matt Aitken,1,Matt Battaglia,1,Matt Frodsham,1,matte painting,27,Matthew Bannister,1,Mauricio Ruiz,1,MAX,2,MAX 2014,3,Max Payne,2,Max Underground,2,Maxim Zhestkov,1,maxon,82,Maxpayne3,1,MaxScript,3,Maxtree,2,Maxwell,32,Maxwell Render,4,Maya,19,Maya 2016,3,Maya Indie,1,Maya LT,9,Maya LT 2016,1,Maya LT 2017,1,Maya Tutorial,12,mayan,1,mbFeatherTools,1,MCG,1,MDL,1,Mech,1,medal of honor,1,media,1,Media Design School,1,Media Encoder,1,Medusateam,1,Megascan,2,Megascans,7,Megascans Bridge,2,Megascans Studio,1,Men in Black: International,1,Mental Ray,77,Mercedes,4,MeshFusion,3,Meshmixer,3,messiah:studio,1,Metal gear,1,Metal mill,5,Method Design,1,Method Studios,6,MGODI,1,Miarmy,2,Michael Bay,4,Michal Kriukow,1,michelin,1,Mickael Riciotti,1,Micro Cinema Cameras,1,Microsoft,28,Microsoft HoloLens,3,Microsoft Studios,1,Microsoft Windows,4,middle earth,1,Mighty Pen,1,mihai wilson,1,Mike Winkelmann,1,mikros image,1,Milan Nikolic,1,MindOverEye,1,Minions,1,MIR,1,Mischief,3,Mixamo,7,Mixer,3,MMO,6,MOANA,2,Mobile Workstation,3,Mobile World Congress 2016,1,Mocap,6,mocha,29,mocha Plus,1,Mocha Pro,2,Mocha Pro 4,2,Model Free,2,Modeling,135,modo,74,MODO 801,1,MODO 901,2,MODO indie,1,MOH,1,Mohamed Alaa,1,Moi3d,1,Mokacam,1,Monitor,24,monkey island,1,Monsters Dark Continent,1,Montreal Canada,1,moon,1,moon raker,1,Mortal Kombat,3,Mortal Kombat X,3,Mortal Kombat XL,1,MoSketch,1,most anticipated,1,most wanted,1,Motion 5,2,motion capture,15,Motion Design,5,Motion Graphics,180,motion504,1,MotionBuilder,8,MotionBuilder 2014,1,mouse,1,Mouse Guard,1,Movie,1,MPC,73,Mr. X Inc,2,MSI,3,MTV,2,Mudbox,82,Mudbox 2014,3,Mudbox 2015,3,Multiphysics,1,multiplayer,1,Multiscatters,1,Murat Kılıç,1,muscle Simulation,1,music,3,music video,21,musuta,1,MVN Animate,1,N3 Design,1,NAB 2009,9,NAB 2010,3,NAB 2012,11,NAB 2013,6,NAB 2014,5,NAB 2015,3,NAB 2016,1,NAB 2018,1,NAB 2019,2,NAB2011,2,NAIAD,19,Namco Bandai Games,3,Napalm,1,Napoleon ruler,1,Naren Naidoo,1,nasa,3,Natron,1,NaturalPoint,1,Naughty Dog,9,nauhgty dog,2,Nazar Noschenko,1,nDo,3,NDS,1,Need for Speed,8,Need for Speed Rivals,1,Neil Armstrong,1,Neill Blomkamp,1,neoscape,22,netfabb,1,Netflix,2,NetherRealm Studios,3,Networks,1,new york times,2,new units,1,news,168,NewTek,11,Next Limit,38,Next-Gen Filmmaking,1,nextgen,1,NFS,1,nhb,6,NHL,1,Nice Shoes,1,NIck Cross,1,Nicolas Anthanè,1,Nicolas Delille,1,nightmare,1,Nike,5,Nimble Collective,1,Nintendo,1,Nintendo Switch,1,Nintendo Wii,1,Noah,2,NoEmotion,3,noise,1,Not To Scale,1,Notebook,1,NOX,2,Npower,4,Nuit Blanche,1,Nuke,133,NUKE 9,5,Nuke Studio,7,NUKEX,1,Nvidia,208,Nvidia Faceworks,1,NVIDIA GRID vGPU,1,NVIDIA GRID Virtual GPU,1,Nvidia HairWorks,1,NVIDIA Kepler,4,NVIDIA Maximus,5,NVIDIA RTX,3,Nvidia SHIELD,3,NVIDIA Tegra,2,NVIDIA Tesla,4,NYC 3ds Max User Group,1,NYC ACM SIGGRAPH,1,O'Neill,1,OatsStudio,3,Obey,1,OC3 Entertainment,1,Octane for 3ds Max,2,Octane for Houdini,1,Octane Render,42,ocula,3,Oculus,8,Oculus Connec,2,Oculus Rift,5,official trailer,4,ogily,1,Ólafur Arnalds,1,olympics,1,Omar Meradi,1,Omniverse,1,Open Image Denoise,1,open Source,7,OpenCue,1,OpenEXR,1,OpenGL,1,OpenSubdiv,2,OpenVR Recorder,1,Optical flares,3,OptiTrack,12,Orijin,1,Ornatrix,7,Oscar,19,oscars,16,OTOY,2,OverWatch,1,paint chips,1,Painter,8,Painting,23,PaintShop Pro,1,Panasonic,2,Panoply,1,Panorama Extractor,1,parable,1,Paragon,2,Paramount,1,paris,1,Particle Skull,3,particles,60,particleskull,1,particular,3,Partnership,1,Pascal architecture,1,Passion Pictures,2,pastel,1,Paul H. 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Management,15,RenderMan,22,RenderPal,1,Resident Evil: Revelations 2,1,retopology,4,Retouching,1,review,22,Revit,4,RevUp Render,1,RFX,1,Rhett Dashwood,1,Rhino 3d,9,Richard Rosenman,1,Richard Spriggs,1,Richard TATESSIAN,1,rick thiele,1,rigging,39,Rise of the Tomb Raider,1,Rising,1,Rising Sun Pictures,8,RizomUV,2,RnD,3,Robert Stromberg,2,Robocop,1,Robot,8,Rocketbox,1,Rockstar Game,7,Rockstar Games,5,Rocksteady Studios,1,Rocky Meng,1,Rodeo FX,6,Romell Chopraa,1,ron Gilbert,1,Ronan Mahon,1,Ronen Bekerman,3,Roper Technologies,1,Rory Björkman,1,Roto,2,RPC,1,RPG,1,RTX,2,Ruairi Robinson,1,Ruben Morales,1,Ruff Mercy,1,Rumblebox Studios,1,russ murphy,1,Russian3DScanner,1,Ryan Kingslien,1,Ryan Lim,1,Ryan Trowbridge,1,sabber interactive,1,saints,1,Sale,1,sam fisher,1,Samsung,10,Samsung Galaxy S7,1,San Andreas,1,San Francisco,1,Sarofsky Corp.,3,Sava Zivkovic,1,Scaleform,3,Scan Engine,1,Scan Model,3,Scanline VFX,11,Sci-Fi,11,sci-fi thriller,2,Scott Edelstein,1,Scott Keating,1,Scott Sewel,1,scottish 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      Computer Graphics Daily News: PhoenixFD 3.0 for 3dsMax Review
      PhoenixFD 3.0 for 3dsMax Review
      PhoenixFD 3.0 for 3dsMax Review by Hammer Chen
      https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWqs8rhGyci4g1fm3SSnFYHIum-aORzN2qJZf1lzet5XSEN58PDT0z2on93LoqXWkSjGEVWc-CFnTrt_g23VE5DIAUYVkNosH8kCj6vBb7DimDFplfttF5kXFYTYIfkS93LfsgzLsmswg/s640/PhoenixFD_ocean_splash.jpg
      https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWqs8rhGyci4g1fm3SSnFYHIum-aORzN2qJZf1lzet5XSEN58PDT0z2on93LoqXWkSjGEVWc-CFnTrt_g23VE5DIAUYVkNosH8kCj6vBb7DimDFplfttF5kXFYTYIfkS93LfsgzLsmswg/s72-c/PhoenixFD_ocean_splash.jpg
      Computer Graphics Daily News
      https://www.cgrecord.net/2016/11/phoenixfd-30-for-3dsmax-review.html
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      https://www.cgrecord.net/2016/11/phoenixfd-30-for-3dsmax-review.html
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